INTERLOCUTOR
Volume 4December, 2025ISSN: 2583-7915 (Online)
Content
Editorial Note
The Editorial Board and the Editorial TeamDepartment of EnglishThe Bhawanipur Education Society College, Kolkata
Page No: i-v
Special Lecture Series, Chapter 2: TranscriptImag(in)ing Resistance: Dalit Art in Mithila’s Visual Canon
Dr. Sandali Thakur
Page No: 1-15
Cinematic Resistance: The First Wedding as a Protest Narrative against Heteronormativity
Jude Fernandes
Page No: 16-19
Unlocking the Power of Humour: Re-defining Resistance in Select Diaries and Weblogs of Iraqi Women
Dr. Somedutta Mukherjee
Page No: 20-30
Looking against the Phenomenology of Being: Analysing Ben Jelloun’s This Blinding Absence of Light as a Tale of Resistance
Sudesna Roy
Page No: 31-38
Buddhists in Bengal and Folk Gods Who Became Buddhas: An Overview of Antaja Conversion in Pre-colonial Bengal from an Ambedkarite Perspective
Titas Choudhury
Page No: 39-51
Cinematic Battlegrounds: Hermeneutics, 5GW, and Interpretive Pluralism in Contemporary Indian Film and Media
Rubaiya Nasrin
Page No: 52-63
Women, Children, and Machines: State Power, Resistance, and Gender in Japanese Mangas
Srijita Banerjee
Page No: 64-74
“With a Pure Indignation”: Fiction, Fictionalisation and the Subtle Resistance of The Accusation
Dipanwita Sen
Page No: 75-85
A ‘New Way of Living’: Exploring the Complex Dynamics of Queer Counterculture in Vijay Dan Detha’s “A Double Life”
Ashmita Biswas
Page No: 86-94
Resisting the Spectacle: Masked Realities and Rebellious Future in the Speculative Worlds of Samit Basu
Srishti Khare
Page No: 95-103
Reinterpreting Myth and Memory in Alternative Theatre Spaces: A Tale of Heisnam Sabitri and Teejan Bai
Divyangana Mondal
Page No: 104-114
Water Wars and Eco-dystopia: Re-reading Sarnath Banerjee’s All Quiet in Vikaspuri
Sayan Chatterjee
Page No: 115-121
Nationalisms in Context: Somnath Batabyal’s Red River
Abantika Dev Ray
Page No: 122-128
Recording Resistance: Gauhar Jaan, Gramophone, and Gendered Cultural Labour in Colonial India
Puja Saha
Page No: 129-136
Countering the Spectacle: The Sundarban Tiger beyond Binaries in Soharab Hossen’s Gang Baghini
Pritam Moni
Page No: 137-148
“Imagination, Life is Your Creation”: The Politics and Aesthetics of Representations in Greta Gerwig’s Barbie (2023)
Adiptya Mukherjee
Page No: 149-162
Urban Space, Dystopia, Consumerism and Hyperreality: Reading Satire as Resistance in Appupen’s Aspyrus
Srijani Dutta
Page No: 163-165
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